11/10/2023 0 Comments Persona 4 golden ostIf you prefer a designed dungeon to a randomly generated crawler, you'll like what 5 has to offer in this department. Some of the mechanics and puzzles also just kind of suck, but hey. As a downside, the game fully does not trust you to solve puzzles or notice things in the world alone, so be prepared for a long cutscene panning over every important object + your party's commentary every time you enter a new room. On the plus side, that means they look incredible, and they have lots of varied mechanics and puzzles. They're not long dungeon crawls anymore, they're fully laid out dungeons. I don't mean that as an insult to 5's style of dungeons, they're just not really the same thing. Persona 5 has bespoke animations for so many little interactions (honestly maybe to the point of excess) and stuff you mentioned like the menus just being extremely polished and stylish.Īs far as gameplay goes, the dungeons are. This is a must-buy for Persona 4 fans.You're gonna notice a lot more little details. I can’t wait to hear all of this music in context, so I can fully appreciate how it adds to the game’s richly emotional atmosphere. Once again, my high expectations for a Persona album have been exceeded. Seemingly out of place is the entirely chiptune “Shin Mitsuo Tensei,” an 8-bit remix of the boss theme “I’ll Face Myself.” For those who have played the original game, however, its inclusion makes perfect sense, and I look forward to seeing how it’s integrated into Persona 4 Golden. The background instrumentation is solid, but I couldn’t help but cringe every time the female vocalist hit a high note. If there is a weak link on this album, it’s “True Story,” a poppy song with gratingly high-pitched singing. It’s powerful stuff that proves the composers’ mastery of conveying emotion through music. “Maiden of the Empty Forest” starts off with crushingly forlorn piano, but by the end of the song, the listener is lifted up with hope. “Snowflakes” is a melancholy vocal piece with a sense of bittersweet finality, of grey skies and reluctant goodbyes. Songs like “Let’s Go To The Beach,” “Everyday Sunshine,” and “A Sky Full Of Stars” are wonderful at evoking the kinds of feelings brought on by spending time with cherished friends. The lyrics are very catchy, too, putting the song on equal footing with the iconic “Reach Out To The Truth.” I immediately fell in love with the new battle theme, “Time To Make History.” Its fast-paced bass riffs and energetic drums amp the listener up and are sure to keep his blood pumping until he vanquishes whatever enemy stands in his way. The steady percussive backbeat and passionate vocals do an excellent job of welcoming the listener back into the world of Persona 4. The new opening theme, “Shadow World,” is a peppy piece led by the harmonica, an unusual but effective instrument that lends the song a nostalgic quality. Despite the fact that it was composed by two different musicians (about half by Shin Megami Tensei veteran Shoji Meguro, and half by Atsushi Kitajoh), the soundtrack for Persona 4 Golden is surprisingly consistent and fits in perfectly with the game’s existing music. Luckily for fans like me, the upcoming PlayStation Vita version of the game features a glut of new content, which of course includes new music. It’s easily one of my all-time favorite games, with a gripping story, lovable characters, and great music to boot.
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